Thursday, February 25, 2021

Sacred Dance Guild - Sacred Sundays - Presentation by Claire Elizabeth Barratt

 

Cilla Vee - final performance - VIGIL: Prayers of Healing for the Living and the Dead. Photo: Fred Hatt


Claire Elizabeth Barratt

VIGIL: Prayers of Healing for the Living and the Dead

A Year of Pandemic Performance

Presentation for the International Sacred Dance Guild

Sacred Sundays Series

 

March 14th 2021 at 7.30pm EST

 

Via Zoom

https://sacreddanceguild.org/events/

 

 

About The Project:

 

Claire Elizabeth Barratt (aka Cilla Vee) is an international inter-disciplinary artist from the UK, currently based in the Southern Appalachian town of Asheville NC.

In this past year of global pandemic, she has created a series of performance prayers for healing under the heading “VIGIL: Prayers of Healing for the Living and the Dead”.

 

The project originated through the New York arts organization Chashama’s “Enliven NYC” grant, with funding from the National Endowment for the Arts (NEA) and the New York State Council on the Arts (NYSCA) Six artists were chosen to inhabit six different storefront spaces in New York City for a one month residency where live performance was brought to the public in the safe situation of viewing through a storefront window.

In her Brooklyn Bridge Park waterfront gallery location, Claire created the VIGIL series. 30 Prayers in 30 Days. Each prayer addressed a different aspect of healing – with a focus on the suffering and death caused by COVID-19 and the Black Lives Matter events and protests.

 

For this Sacred Sundays presentation, Claire will share her experience of the VIGIL project in NYC, as well as a subsequent development in her home base at the Asheville Art Museum entitled “Angel of Light”.

 

For a daily journal of her VIGIL in New York, you can go to: https://vigilprayersofhealing.blogspot.com/

 

 

 

Cilla Vee - installation for VIGIL: Prayers of Healing for the Living and the Dead. Photo: Juliette Buffard-Scalabre

 

 

About The Artist:

 

Claire Elizabeth Barratt (aka Cilla Vee) is an international inter-disciplinary artist with a performing arts background. She is the director of Cilla Vee Life Arts  – an arts organization with a focus on cross-media collaboration. Her work utilizes artistic disciplines of dance, movement, music, sound, text, media, visual arts, installation and performative action.

 

Claire has presented her work in venues as diverse as Jacob’s Pillow, the New York

Botanical Gardens, Black Mountain College Museum + Art Center and Art Basel Miami.

She has performed and taught throughout the USA and in Canada, Europe, Japan, Israel and Pakistan.

 

Claire received her professional training in London at The Laban Centre For Movement and Dance and at the London Studio Centre For Performing Arts. Her pre-professional training includes the Royal Academy of Dance and the Royal Schools of Music examinations.

She also served an apprenticeship with the Isadora Duncan Dance Foundation in New York and holds an MFA in Creative Practice from the Transart Institute for Creative Research with Plymouth University, UK.

 

On moving to the USA in 1992, Claire held the positions of Dancer for Unto These Hills drama on the Cherokee Indian Reservation and for Asheville Contemporary Dance Theater in North Carolina, as well as serving as a Co-Founder and Director for Circle Modern Dance and as Choreographer for the Knoxville Opera Company in Tennessee.

 

Once based in New York in 2002, Claire founded Cilla Vee Life Arts and, with the support of arts advocates such as Chashama, Bronx Council on the Arts and Arts for Art, began to develop and present her signature modes of work – including Motion Sculpture Movement Installations and The Sound Of Movement projects.

 

She has received a number of awards, including project sponsorship from JP Morgan Chase, NYSCA and the NEA.

 

She is the creator of the Living Art pedagogy for performance, accredited by Plymouth University.

 

Claire now uses Asheville NC as her home base and tours frequently to connect and collaborate with a variety of international artists.

 

“My work as an artist blurs boundaries and crosses categories. Re-defining the traditional

concepts of a “piece” and challenging the conventions of performance, time, space and audience relationships.”

 

 

 

 

#cillaveelifearts





Wednesday, January 27, 2021

ANGEL of LIGHT


 

ANGEL of LIGHT

 

 

WHO: Cilla Vee

 

WHAT: “ANGEL of LIGHT”

VIGIL: Prayers of Healing for the Living and the Dead series

 

WHERE: Asheville Museum of Art

Oculus window. Viewable from outside the museum entrance

 

WHEN: Tuesday, March 9th – 7pm til 8pm

 

HOW MUCH: Free public performance

 

 

About Angel of Light:

 

Marking the one-year anniversary of the COVID-19 state of emergency declaration for the City of Asheville, the Angel of Light brings promises of hope and redemption. For the past year she has held vigil over the city – a small, dim light at the end of the tunnel, growing larger and brighter until finally visible to all.

 

On Tuesday, March 9th 2021, from 7pm ‘til 8pm, Asheville based artist Cilla Vee will present an hour long durational performance at the Asheville Art Museum which will be viewable to the public in the museum’s unique oculus window feature above the entrance to the building.

 

Angel of Light is the most recent piece in Cilla Vee’s pandemic performance series “VIGIL: Prayers of Healing for the Living and the Dead” – and the one created specifically for her home community of Asheville.

The VIGIL series was developed over the summer in New York through NYC art organization Chashama’s “Enliven NYC” grant funded by the National Endowment for the Arts and the New York State Council on the Arts.

Cilla Vee performed 30 prayers in 30 days in a storefront gallery space on the Brooklyn Bridge Park waterfront – viewable through the storefront window.

On completion of her NY residency, Cilla Vee felt compelled to bring the VIGIL project to her home community and create a performance specifically for the City of Asheville.

 

 

 

About Cilla Vee:

 

Cilla Vee is the artist moniker of interdisciplinary artist Claire Elizabeth Barratt. She is the director of Cilla Vee Life Arts – an international arts organization for cross-disciplinary and collaborative projects.

Her background is in the performing arts, with training in her native British Royal Academy of Dance, Laban Center at Goldsmiths College and London Studio Centre. She has a Masters of Fine Arts from the Transart Institute for Creative Research with Plymouth University – where she developed her performance method and pedagogy “Living Art”.

Claire served as an apprentice with the Isadora Duncan Dance Foundation in New York and as a founding director for Circle Modern Dance in Knoxville, TN.

She is based in Asheville, NC where she has worked with local organizations such as Asheville Contemporary Dance Theatre, Black Mountain College Museum + Art Center and the Asheville Art Museum.

 

Recent information about Cilla Vee projects can be found on Instagram at

#cillaveelifearts

 

 

 

 

 


Wednesday, September 5, 2018

BUBBLE & SQUEAK Pasadena




“BUBBLE & SQUEAK” Pasadena


WHO
Cilla Vee Life Arts – with Cilla Vee, Grayson Morris, Blair Bogin, Lukas Ligeti, Robert Jacobson, Vinny Golia

WHAT
‘Bubble & Squeak” – cross-disciplinary performance collaborations

WHEN
Thursday October 18th – 8pm

WHERE
Battery Books & Music - 26 S Los Robos Ave. Pasadena CA 91101

HOW MUCH
Donation


BUBBLE & SQUEAK

Bubble & Squeak is a British dish whose recipe has morphed over time to accommodate throwing various odd bits of ingredients together. Very fitting for an eclectic mix of performing artists in a book store!
The evening will feature touring artist Cilla Vee with some of LA’s finest improvisers as they mix and match in various collaborations and in response to the environment.


Cilla Vee Life Arts



CILLA VEE LIFE ARTS is an inter-disciplinary arts organization founded in 2002 in the South Bronx by Claire Elizabeth Barratt (aka Cilla Vee) – now based in Asheville NC.
It serves as an umbrella for multiple projects that focus on collaboration and facilitation. With a mission of blurring boundaries and crossing categories, CVLA draws from a diverse pool of artists with a wide range of artistic backgrounds.
Performances can include anything from dance, movement, music, sound, text, film and video, visual and performance art to installation and beyond.

“When it's summer in the city, people do weird things. Performers especially. ....“Beguiling”
John Rockwell – New York Times

Cilla Vee Life Arts - http://www.cillavee.com/

This Fall Cilla Vee is touring cross-country and the west coast in order to connect and collaborate with area artists in each location.


ARTIST INFORMATION

Grayson Morris - https://emersion.art/
Blair Bogin - http://blairbogin.com/
Lukas Ligeti - http://www.lukasligeti.com/
Vinny Golia - https://vinnygolia.com/  


Cilla Vee  (performance)

  
Claire Elizabeth Barratt (aka Cilla Vee) is an inter-disciplinary artist with a performing arts background. She is the director of Cilla Vee Life Arts  – an arts organization with a focus on cross-media collaboration.
Her work utilizes artistic disciplines of dance, music, text, media, visual and installation art.
Claire has presented her work in venues as diverse as Jacob’s Pillow , the New York
Botanical Gardens , Black Mountain College Museum + Art Center  and Art Basel Miami. She has performed and taught throughout the USA, Canada, Europe, Japan and Pakistan.
Claire received her professional training in London at The Laban Centre For Movement and Dance  and at the London Studio Centre For Performing Arts . Her pre-professional training includes the Royal Academy of Dance  and the Royal Schools of Music  examinations. She also served an apprenticeship with the Isadora Duncan Dance Foundation  in New York and holds an MFA in Creative Practice  from the Transart Institute  with Plymouth University, UK.
On moving to the USA in 1992, Claire held the positions of Dancer for Unto These Hills  drama on the Cherokee Indian Reservation and for Asheville Contemporary Dance Theater  in North Carolina, as well as serving as a Co-Founder and Director for Circle Modern Dance  and as Choreographer for the Knoxville Opera Company  in Tennessee.
Once based in New York in 2002, Claire founded Cilla Vee Life Arts  and, with the support of arts advocates such as Chashama , Bronx Council on the Arts  and Arts for Art , began to develop and present her signature modes of work – including Motion Sculpture Movement Installations  and The Sound Of Movement  projects.
She is the creator of the Living Art pedagogy for performance art.
Claire now uses Asheville NC as her home-base.

“My work as an artist blurs boundaries and crosses categories. Re-defining the traditional concepts of a “piece” and challenging the conventions of performance, time, space and audience relationships.”



Grayson Morris (performance)


Grayson Morris is a multi-disciplinary performer from Asheville, NC, currently based in Los Angeles . She has appeared on Gotham Comedy Live and toured nationally with her solo show Am I a Grownup Yet? She runs a biannual immersive performance art series in Asheville called emersion, which is currently in its third year. She performs regularly in LA where she moved to study theatrical clowning.



Blair Bogin (performance)


BLAIR BOGIN is an interdisciplinary artist. She earned an MFA from the School of the Art Institute of Chicago. Amidst her art practice, she is a counseling Astrologer (Sisterbride) and Kundalini Yoga Instructor.



Robert Jacobson (guitar / strings)

  
Jacobson explores new harmonies on stringed instruments, riding the edges between improvisation & composition, and helping make outer space more musician friendly. Jacobson's studied Classical Guitar, Jazz, Balinese Gamelan, and Balkan folk music. Jacobson completed degrees at University of Southern California and California Institute of the Arts. Select groups Jacobson played with include The Industrial Jazz Group, Arthur Jarvinen's The Invisible Guy, acoustic poly-musical ensemble Svara, Jacobson's Coldwater band, and Balkan folk dance group Veselba. 




Lukas Ligeti (drums / percussion)


Lukas Ligeti is a composer, percussionist, electronics performer, and assistant professor at UC Irvine. The recipient of the 2010 CalArts Alpert Award in Music, he has been commissioned by Bang On A Can, Kronos Quartet, Eighth Blackbird, American Composers Orchestra, Ensemble Modern, and others, and has performed with John Zorn, Gary Lucas, Marilyn Crispell, etc., as well as giving solo concerts on 4 continents. His intercultural work has led him to 15 African countries; he co-founded the groups Beta Foly and Burkina Electric and has worked with traditional musicians in Egypt, Uganda, Zimbabwe, etc. He lives in Irvine and Johannesburg.



Long Bio

Drawing upon influences including Downtown New York experimentalism, contemporary classical music, jazz, and traditional music from Africa, Lukas Ligeti has developed a unique voice as a composer and improviser.
Lukas studied composition at the University of Music and Performing Arts in Vienna, Austria, his city of birth. He was a visiting scholar at Stanford University and subsequently lived in New York City from 1998 until 2015, when he became Assistant Professor in Integrated Composition, Improvisation, and Technology, an innovative PhD program at the University of California, Irvine. He has taught at the University of Ghana, lecturing in collaboration with the eminent composer/musicologist J.H. Kwabena Nketia, and is currently completing a PhD at the University of the Witwatersrand in Johannesburg, South Africa, where he was previously composer-in-residence. He lives in Irvine and Johannesburg.
Lukas received the CalArts Alpert Award in Music in 2010. He has also been
awarded two Composition Fellowships by the New York Foundation for the Arts and two yearlong Austrian State Grants in composition, among other awards. His music is featured on CDs on Tzadik, Cantaloupe, Intuition, Innova, Leo, and other record labels, and he is an endorser of Vic Firth drumsticks.
With performances at major venues and festivals worldwide, his compositions have been commissioned among others by Bang on a Can, Kronos Quartet, Eighth Blackbird, Ensemble Modern, the American Composers Orchestra, MDR Orchestra (Germany), HÃ¥kan Hardenberger and Colin Currie, New York University, Subtropics Festival/Historical Museum of South Florida, the Vienna Festwochen, Radio France, Icebreaker (UK), and a consortium featuring marimbists such as Eric Beach (So Percussion) and Ji Hye Jung. His music has also been performed by the Vienna Radio Symphony Orchestra, Orchestre National de Lyon, Tonkünstler Orchestra, London Sinfonietta, Liverpool Philharmonic Ensemble 10/10, San Francisco Contemporary Music Players, Present Music, Ensemble mise-en, Contemporaneous, Ensemble “die reihe”, the Amadinda, Third Coast, and Kroumata Percussion Groups, etc.
Lukas has collaborated with choreographers such as Karole Armitage and Panaibra Gabriel Canda, composed music for the European ARTE TV channel, and created a sound installation for the Goethe Institute on the occasion of the 2014 Soccer World Cup in Brazil. He has participated in two projects of Lebanese sound artist Tarek Atoui, and was artist-in-residence at the Museum of the History of Polish Jews in Warsaw, where he created a site-specific performance.
As a drummer, he has worked with John Zorn, Marilyn Crispell, Gary Lucas, John Tchicai, Henry Kaiser, Michael Manring, Wadada Leo Smith, DJ Spooky, Elliott
Sharp, Raoul Björkenheim, Thollem McDonas, Jon Rose, Benoît Delbecq, members of Sonic Youth and the Grateful Dead, etc., and leads or co-leads several bands such as Hypercolor (with Eyal Maoz and James Ilgenfritz) and Notebook. He has given solo electronic percussion concerts on four continents, performing on the Marimba Lumina, an instrument designed by seminal synthesizer engineer Don Buchla.
A pioneer in experimental intercultural collaboration in Africa for more than 20 years, he co-founded the ensemble Beta Foly in Côte d’Ivoire and today co-leads Burkina Electric, the first electronica band from Burkina Faso. He has also engaged in collaborations and/or led projects in Egypt (with Nubian musicians and musicians of the Cairo Opera Orchestra), Uganda (with that country’s premier music/dance group, the Ndere Troupe), Kenya, Zimbabwe, Lesotho, etc.

Vinny Golia


As a composer Vinny Golia fuses the rich heritage of Jazz, contemporary classical and world music into his own unique compositions. Also a bandleader, Golia has presented his music to concert audiences in Europe, Canada, Mexico, Japan, Australia, New Zealand and the United States in ensembles varying dramatically in size and instrumentation. Mr. Golia has won numerous awards as a composer, including grants from The National Endowment of the Arts, The Lila Wallace Commissioning Program, The California Arts Council, Meet the Composer,Clausen Foundation of the Arts, Funds for U.S. Artists and the American Composers Forum. In 1982 he created the on-going 50 piece Vinny Golia Large Ensemble to perform his compositions for chamber orchestra and jazz ensembles.
A multi-woodwind performer, Vinny’s recordings have been consistently picked by critics and readers of music journals for their yearly “ten best” lists. In 1990 he was the winner of the Jazz Times TDWR award for Bass Saxophone. In 1998 he ranked 1st in the Cadence Magazine Writers & Readers Poll and has continually placed in the Downbeat Critic’s Poll for Baritone & Soprano Saxophone. In 1999 Vinny won the LA Weekly’s Award for “Best Jazz Musician”. Jazziz Magazine has also named him as one of the 100 people who have influenced the course of Jazz in our Century. In 2006 The Jazz Journalists Association honored him with a Lifetime Achievement Award. 2013 Vinny won the Downbeat Critic’s Poll in the “New Star” category for Baritone Saxophone.
Golia has also contributed original compositions and scores to Ballet and Modern Dance works, video, theatrical productions, and film. As an educator Vinny has lectured on music & painting composition, improvisation, Jazz History, The History of Music in Film, CD & record manufacturing and self-production throughout the United States, Europe, Mexico, New Zealand and Canada. He currently teaches at California Institute of the Arts. In 1998 Golia was appointed Regent’s Lecturer at the University of California at San Diego. In 2009 Vinny Golia was appointed the first holder of the Michel Colombier Performer Composer Chair at Cal Arts.
Vinny has been a featured performer with Anthony Braxton, Henry Grimes, John Carter, Bobby Bradford, Joelle Leandre, Leo Smith, Horace Tapscott, John Zorn, Tim Berne, Bertram Turetzky, George Lewis, Barre Phillips, The Rova Saxophone Quartet, Patti Smith, Harry “the Hipster” Gibson, Eugene Chadburne, Kevin Ayers, Peter Kowald, John Bergamo, George Gruntz Concert Jazz Band, Misha Mengelberg, Han Bennick, Lydia Lunch, Harry Sparrney and the Los Angeles Philharmonic Orchestra amongst many others.




Wednesday, August 29, 2018

SUBMERSION LA



SUBMERSION LA


WHO
Cilla Vee Life Arts – with Cilla Vee, Grayson Morris, Blair Bogin, Pedro Jimenez, Kio Griffith, Carole Kim, G.E. Stinson, Joseph Hammer, Miller Wrenn (replacing Steuart Liebig)

WHAT
Submersion – an immersive, multi-media environment of sound, image and motion

WHEN
Friday October 19th -  8pm – 11pm

WHERE
Coaxial Arts Foundation
1815 S Main St, Los Angeles, CA 90016

HOW MUCH
$7



Cilla Vee Life Arts presents:
SUBMERSION

Definition:
Immersion. Hiding. Beneath the surface. Completely absorbed by / involved in.
Differential Topology.  Differentiable Manifolds. Soft Question.

Performance:
An immersive, multi-media environment of sound, image and motion.
The everyday world melts away as though wandering deep into a forest or ocean.
Everything changes.
Time. Space. Temperature.
The psyche surrenders.
Transcendence.
SUBMERSION is a durational performance installation during which the audience is free to come and go throughout.



Cilla Vee Life Arts


CILLA VEE LIFE ARTS is an inter-disciplinary arts organization founded in 2002 in the South Bronx by Claire Elizabeth Barratt (aka Cilla Vee) – now based in Asheville NC.
It serves as an umbrella for multiple projects that focus on collaboration and facilitation. With a mission of blurring boundaries and crossing categories, CVLA draws from a diverse pool of artists with a wide range of artistic backgrounds.
Performances can include anything from dance, movement, music, sound, text, film and video, visual and performance art to installation and beyond.

“When it's summer in the city, people do weird things. Performers especially. ....“Beguiling”
John Rockwell – New York Times

Cilla Vee Life Arts - http://www.cillavee.com/

This Fall Cilla Vee is touring cross country and the west coast in order to connect and collaborate with area artists in each location.

  
ARTIST INFORMATION

Grayson Morris - https://emersion.art/
Blair Bogin - http://blairbogin.com/
Kio Griffith - www.kiogriffith.com
Carole Kim - http://www.carole.kim/
Miller Wrenn - https://millerwrenn.com/



Cilla Vee  (movement)


Claire Elizabeth Barratt (aka Cilla Vee) is an inter-disciplinary artist with a performing arts background. She is the director of Cilla Vee Life Arts  – an arts organization with a focus on cross-media collaboration.
Her work utilizes artistic disciplines of dance, music, text, media, visual and installation art.
Claire has presented her work in venues as diverse as Jacob’s Pillow , the New York
Botanical Gardens , Black Mountain College Museum + Art Center  and Art Basel Miami. She has performed and taught throughout the USA, Canada, Europe, Japan and Pakistan.
Claire received her professional training in London at The Laban Centre For Movement and Dance  and at the London Studio Centre For Performing Arts . Her pre-professional training includes the Royal Academy of Dance  and the Royal Schools of Music  examinations. She also served an apprenticeship with the Isadora Duncan Dance Foundation  in New York and holds an MFA in Creative Practice  from the Transart Institute  with Plymouth University, UK.
On moving to the USA in 1992, Claire held the positions of Dancer for Unto These Hills  drama on the Cherokee Indian Reservation and for Asheville Contemporary Dance Theater  in North Carolina, as well as serving as a Co-Founder and Director for Circle Modern Dance  and as Choreographer for the Knoxville Opera Company  in Tennessee.
Once based in New York in 2002, Claire founded Cilla Vee Life Arts  and, with the support of arts advocates such as Chashama , Bronx Council on the Arts  and Arts for Art , began to develop and present her signature modes of work – including Motion Sculpture Movement Installations  and The Sound Of Movement  projects.
She is the creator of the Living Art pedagogy for performance art.
Claire now uses Asheville NC as her home-base.

“My work as an artist blurs boundaries and crosses categories. Re-defining the traditional concepts of a “piece” and challenging the conventions of performance, time, space and audience relationships.”


Grayson Morris (movement)


Grayson Morris is a multi-disciplinary performer from Asheville, NC, currently based in Los Angeles . She has appeared on Gotham Comedy Live and toured nationally with her solo show Am I a Grownup Yet? She runs a biannual immersive performance art series in Asheville called emersion, which is currently in its third year. She performs regularly in LA where she moved to study theatrical clowning.


Blair Bogin (movement)


BLAIR BOGIN is an interdisciplinary artist. She earned an MFA from the School of the Art Institute of Chicago. Amidst her art practice, she is a counseling Astrologer (Sisterbride) and Kundalini Yoga Instructor.


Pedro Jimenez (movement)


Kio Griffith (projection)


Kio Griffith is a Los Angeles and Japan based visual and sound artist, independent curator, writer, and producer. His work includes drawing, painting, sound, video, performance, electronics, language, sculpture and installation.
He has exhibited in the UK, Japan, Germany, Croatia, China, Hong Kong, Korea, Turkey, Belgium and the U.S.
His current projects include founder / project director at TYPE (Tokyo+Yokohama Projects Exchange), co-founder of Transit Republic, IMMI, and Genzou, independent curator, contributing editor at Fabrik, Artscape and Art Bridge magazines, former art director at Angel City Jazz Festival and has designed over 300 music album packaging.
Griffith was recently invited to exhibit in the 2016 Aichi Trienniale and currently on research for a public project for the Setouchi Triennale.


Carole Kim (projection)



Carole Kim is a media artist with a focus on video projection environments for multi-media installation, performance and photography. She has a very hands-on, tactile approach to the materials she works with, pushing the moving image to take on optical, spatial and dimensional form. She is interested in the integration of disciplines where all media are on a level playing field working in tandem towards creating the entirety of an experience.
Her work has been supported by the Irvine Foundation, National Endowment for the Arts, Center for Cultural Innovation, MAP fund, City of Los Angeles, Pasadena Arts Council, The Music Center, Durfee Foundation, REDCAT, University of California Institute for Research in the Arts (UCIRA), The Getty Center, Society for the Activation of Social Space through Art and Sound (SASSAS) ,Dublab, Newtown, Turbulence.org, CalArts, and The Center for Experiments in Art, Information, and Technology. She was selected as a recipient of a 2013 COLA Fellowship, 2014 CCI
Investing in Artists Grant, 2015 Metabolic Studio Chora Council Grant and a 2015 CHIME Grant. She is currently an artist-in-residence at Descanso Gardens working on a year-long project that will culminate in a solo exhibition and site-specific performances.


GE Stinson (sound)


G.E. Stinson's exploration of American folk music forms began as a child immersed in the gospel music of his family in Oklahoma. He continued in Chicago, studying/playing blues with Cash McCall, Hound Dog Taylor, Willie Dixon, Muddy Waters, among others.
Stinson eventually received a composition scholarship with William Russo at Columbia College. In 1972, he co-founded the seminal fusion/world music group, Shadowfax. During his tenure with this group, he performed and composed on seven recordings, toured extensively in the U.S., Europe, South America and Japan including performances at Carnegie Hall, Kennedy Center, Academy of Music, and Wolftrap. In 1988, Stinson along with the other members of Shadowfax were honored with a Grammy Award from the National Academy of Recording Arts and Sciences and the following year began a collaboration with Momix Dance Theater which culminated in a national tour.
1990 brought the formation of the G.E. Stinson Group in Los Angeles and the subsequent completion of a recording entitled "The Same Without You" in 1993. This was to be the first of many collaborations that would lead to Stinson becoming a prominent member of the Los Angeles New Music community. Among these projects are the Wayne Peet Trio recording "Fully Engulfed"; Adam Rudolph's opera "The Dreamer"; "Right of Violet" featuring Alex Cline and Jeff Gauthier; Unique Cheerful Events (an improvising collective); guitar duets with Nels Cline and A Thousand Other Names, a Stinson led group which completed a self titled recording in 1996 on Birdcage records. Stinson continues to compose for dance and has contributed to numerous motion picture soundtracks including Sunset Strip directed by Hans Fjellestad.


Joseph Hammer (sound)


Since 1980, Joseph Hammer has played analog synthesizers and samplers and manipulated tape loops in the bands Dinosaurs With Horns (formed in 1982), Steaming Coils and Debt of Nature -- all groups with Rick Potts -- as well as with Points Of Friction, Blue Daisies and more. Hammer has collaborated with eclectic songster Eugene Chadbourne and one of Japan's premiere sound experimenters, Otomo Yoshihide. Hammer's unconvential 'homegrown' approach utilizes audio CD sources abstracted by hand with vintage magnetic tape gear; a live "phonomontage." He cites as his primary musical influences: receiving more than one AM radio station at a time, and a specific episode of the '70s T.V. show Land of the Giants during which astronauts thwart alien tyrants by using tape loops.

In the field of found sound, Joseph Hammer is the master of survey and delay; With looped tape and a gloved hand, he taps a magnetic vein, coaxing fragments of occluded origin into a sonic sui generis.


Steuart Liebig (sound)


When prompted to talk about himself in the third person, electric bassist/composer Steuart Liebig will tell you that he has been playing and writing music for a long time.  It’s probably more interesting to see what other people have said about him:

“To say only that he plays bass would be misleading. As an improviser, he commands a shocking array of effects. As a composer, he can create rigorous but liberating frameworks for wide-open jazz on one hand and harmonica honk on the other. And mainly, he hears everybody else, assimilates it all and kicks it to another level.”

“A major concern of Steuart Liebig’s is space; acknowledging it, defining it, dividing it up. If anyone can be funky without necessarily grooving, it’s bassist Liebig, a master of the unexpected cosmic event.”

“Liebig is equally at home charting lunar terrain as he is in the pocket.”

“. . . nonpareil rethinker of electric bass . . . “

“Steuart Liebig’s bass isn’t a bass, it’s a giant alien creature in the heaving throes of partition.”

One of his recent focuses has been attempting to develop different techniques and timbral resources that are outside the normal practice of his instrument. 

Miller Wrenn is replacing Stuart Leibig.
















Sacred Dance Guild - Sacred Sundays - Presentation by Claire Elizabeth Barratt

  Cilla Vee - final performance - VIGIL: Prayers of Healing for the Living and the Dead. Photo: Fred Hatt Claire Elizabeth...